Colonial Appetites: Sugar Journey Royal Table to Indigenous Communities
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Colonial Appetites: Sugar Journey Royal Table to Indigenous Communities

Join Dr Miki Seifert at ‘The Colonisers’ Banquet Table’ talk how sugar was transformed from an exotic luxury item into a global ubiquity

By With Lime

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Online

About this event

  • Event lasts 1 hour

Artists’ Talk facilitated by Dr Miki Seifert and Dr Arini Loader

In the third of three artist’s talk about Azúcar/Sugar, the latest installation from With Lime, join Dr Miki Seifert and Dr Arini Loader at ‘The Colonisers’ Banquet Table’. Dr Seifert will talk about how sugar was transformed from an exotic luxury item into a global ubiquity. Dr Loader will use te reo Māori as a gateway to talk about sugar’s associated health and societal issues along with alcohol and other colonial introductions. 

 

Dr Miki Seifert

Miki Seifert has a PhD from Victoria University of Wellington and a B.A. in French and Political Science from Moravian College. Since 2007, she has lived in Wellington, Aotearoa New Zealand.

Her body of work ranges from performances, installations and videos with her collaborator William Franco to solo work of mixed media paintings to writing and artbooks. Her movement training (Butoh, contact improvisation, ballet, circus arts and gymnastics) imbues her work with flow, timing, placement, and a balance between the improvised and the choreographed.

She is best known for “He rawe tona kakahu/She wore a becoming dress”, a Butoh performance about gender and colonisation. Her performative research is published in The Routledge Companion to Butoh Performance and the Brazilian Journal on Presence Studies.

She studied Butoh with Diego Pinon, Oguri, and Shinichi Momo Koga; contact improvisation with Carmella Herman; and modern dance at the Martha Graham and Alvin Ailey Studios in New York.

 

Dr Arini Loader

Senior lecturer in Māori history who belongs to Ngāti Raukawa, Ngāti Whakaue, and Te Whānau-a-Apanui and who is fortunate enough to live and work at one of the places I call home beneath te pae maunga o Tararua, where the sun descends into the sea over Kapiti. My work is grounded in Indigenous knowledges and methodologies and highlights Indigenous agency, creativity, power, and beauty. The words of Cherrie Moraga (2011) speak to my approach: 'The best of creative writing...is able to traverse great borders of mind and matter. The distinctions disappear. Our present moment becomes history. History is enacted myth. Myth is remembered story. Story makes medicine. I am in daily search of these acts of remembering of who we once were..I write to remember. I make rite (ceremony) to remember. It is my right to remember.'

Organized by

With Lime creates performances, installations and projections that explore the interface between cultures and/or technology. We are committed to the vision of the arts as a positive force for personal and societal transformation. As part of this vision, we conduct research to expand performative methodologies and practices.

We possess an artistic multilinguality that allows the work of With Lime to cross the borders between visual, media, dance and theatre arts. With Lime’s work has been in galleries, museums and film festivals around the world

FreeAug 1 · 6:00 PM PDT